IDENTILIN$$  F11700A|TWHence|1633|p. 96\ME\mf\7-24-87\P:EWS\o(OJ;MH[STC7045(A)])\5-23-00;7-30-02\C:JMK\3-20-01;JSC\3-22-01;8-21-02\P:DAS\cd(DFo)\8-15-00\C:JSC\4-7-03\p:AWJ\cd(TxAM1),fs(L)\2-21-05\c:JAH\2-23-05\F:JSC\2-8-06
117.00A.HE1om
117.00A.001  At once, from hence, my lines and I depart,
117.00A.002  I to my soft still walks, they to my Heart;
117.00A.003  I to the Nurse, they to the child of Art;
117.00A.004  Yet as a firme house, though the Carpenter
117.00A.005  Perish, doth stand: as an Embassadour
117.00A.006  Lyes safe, how e'r his king be in danger:
117.00A.007  So, though I languish, prest with Malancholy,
117.00A.008  My verse, the strict Map of my misery,
117.00A.009  Shall live to see that, for whose want I dye.
117.00A.010  Therefore I envie them, and doe repent,
117.00A.011  That from unhappy mee, things happy'are sent;
117.00A.012  Yet as a Picture, or bare Sacrament,
117.00A.013  Accept these lines, and if in them there be
117.00A.014  Merit of love bestow that love on mee.
117.00A.0SSom
117.00A.0$$  formatted as four tercets and a concluding couplet; ll. 13-14 ind; poem follows 116 TWPreg 
as if part of it, explaining the om HE & absence of the large-cap/regular-cap/lc format 
usually applied in A-G to first word of poem; "OJ" = the Oxford/St. John's copy of A; 
EWS to ck l.11 reading of "happy'are" on mf (ME apparently trs'd it w/space btw words)