IDENTILIN$$  F114TM1|TWHail|Crewe MS|pp. 29-30\JSC\x\7-11-94\P:AY\o\Apr01\C:JSC\4-24-01
114.TM1.HE1om
114.TM1.001  All hayle Sweet Poett & full of more straung fire
114.TM1.002  then hath or shall enkindle any spiritt
114.TM1.003  I lou%Ye%Z>'<d what Nature gaue thee, but thy meritt
114.TM1.004  of w%Yh%Zitt & art I loue not, but admire
114.TM1.005  who hath before or shall write after thee
114.TM1.006  thie lines, though roughlie labor'd yet wilbe
114.TM1.007  like infancie or age to mans firme stay
114.TM1.008  or earlie or late twilights to midday
114.TM1.009  men say and trulie that y%5ie%6 better bee
114.TM1.010  that are enui'd then pitied therfore I
114.TM1.011  because I wish thee best doe thee enuie
114.TM1.012  & wouldst thou by like reason pittie mee
114.TM1.013  but care not for mee, I that euer was
114.TM1.014  In fortunes & in Natures guifts (alas)
114.TM1.015  before by thy grace got in the muses schoole
114.TM1.016  A monster and a beggar, am now a foole
114.TM1.017  Oh how I greaue that late borne modestie
114.TM1.018  hath gott sutch roots in easie waxen hearts
114.TM1.019  as men may not (themselues) ther owne good p%Parts[sic]
114.TM1.020  extoll w%5th%6out suspect of surquedrie
114.TM1.021  for but thy selfe noe subiect can bee found [30]
114.TM1.022  worthy thy quill, nor by quill resound
114.TM1.023  thy worth but thine, how good it were to see
114.TM1.024  a Poeme in thy prayse and writt by thee
114.TM1.025  Now yf this songe bee too s**sh for rime; yet as
114.TM1.026  the painters bad god, made a good diuell
114.TM1.027  twilbee good prose although the %Yrhime%Z%>>verse< be euill
114.TM1.028  yf thou%Y*%Z forgett the rhime as thou dost past[sic]
114.TM1.029  then write that I may follow and soe bee
114.TM1.030  thy Ecco, thy debter, thy foyle, thy zany
114.TM1.031  I shalbee thought, yf mine like thine I shape
114.TM1.032  All the worlds lyon, though I bee thie%>>thy< ape.|
114.TM1.0SS  [horizontal slash at LM]
114.TM1.0$$  %1No ind; four 8-ll. sts marked w/ short horiz. ll. at LM &/or 
line sps%2 To M.I.W. %1in a 2nd hand in RM at l.1; checkmark in LM at l.4; 
l.19, "p%Parts": scribe often uses p%P w/ par/per/pro syllables but expands 
them as well%2